Art in the Open was really fun. I gave away the 300+ dumpstered new shirts, shorts, backpacks, and bandanas in under 2 hours, met a bunch of people who loved getting free stuff, and had some great conversations about commercial waste, big box stores, etc. Also met with a couple of people who told me about their dumpstering adventures as well, which was cool.
I made a little video showing the progress of the shirts going from 300 to none.
I’ve neglected talking about gardening this year almost as much as I have neglected the garden. Happily, things are still growing well. It’s good to know what can out-compete weeds, ha ha. The dry beans Black Coco are stars, as are the black chickpeas and the spaghetti squash.
OK, here is another post I wrote over a week ago, during my artist residency in Quetico Provincial Park when I didn’t have access to internet.
I’ve been working in the Quetico artist studio pretty consistently for days, though stopping to swim out back pretty regularly too. Tomorrow is a final day trip on the canoe, and then an open studio and a workshop. Then my time here is sadly over. I completed 4 prints – two that will stay in the collection here at the park, and two that Friends of Quetico is purchasing to auction off in Toronto in the fall. Here are pics of the pieces I made based loosely on photos I took of fungus, pine needs, lichen, etc. during the canoe trip. Also some pictures of the studio that I wish I had more than 2 weeks in.
Here are the four pieces I created while at Quetico. Two are staying at the provincial park gallery, and two are being auctioned off by Friends of Quetico in Toronto this fall.
I wrote this last week, but I didn’t have internet access, so here it is now:
My second northern Ontario artist residency – this time at Quetico Provincial Park – has been really amazing so far. Travis and I spent 5 days canoeing in (a small part of) Quetico’s huge interior of hundreds of lakes connected by portages and at least one shallow, sketchy, lilly-padded swamp river. This wilderness park is hardcore about not putting signs by the portages or anywhere and otherwise minimizing traces of humans. Quetico is a little over 80% of the size of the whole province of PEI, so that’s pretty cool. I think this was the most remote wilderness I have experienced, including canoeing on the Yukon River and backcountry hiking and camping in Tombstone in the Yukon. It was really beautiful and fairly strenuous – one 1km portage and several at around half-three-quarters of a km, sometimes in succession.
In the interior of the park there were islands covered in blueberries and a new lake to swim in every day. I am gushing, but it’s been a really special experience. The last night in the interior, we camped on a small island between two rapids, with ledges of lichen-covered rock to perch on and watch the water.
Now I am back in this luxurious artist studio on a lake near a park ranger station, and nature centre log cabin, etc. I have another week to work on art stuff inspired by my time here, host an open studio, and lead a workshop. So, yeah, I am having an incredible time, and I want to come back. And I think I have gotten over my childhood aversion to portaging, (it’s much easier as an adult than as a 7-year-old) even if I still prefer paddling.
I wrote this a few days ago, but didn’t have a chance to post it. Am now home.
My residency at Pukaskwa has been so enjoyable; sad to say it is almost over. In addition to more hiking around the park, I spent a day in the area going to ghost towns (I can’t resist them) – Jackfish and Coldwell. Coldwell had an old dredge in the water and a tiny old graveyard that had obviously been visited by bears recently and regularly. Jackfish was an adventure that required walking along the railroad tracks overlooking the Superior. The ghost town is inaccessible by road, except possibly an ATV but even then I think it would be treacherous. The walk was beautiful, though – large pebbly and sandy beaches and the smell of trains. There were remains of a cement silo and water tower, a cluster of abandoned houses and outbuildings, and lots of mossy foundations. There was also a strange little set-up of rusty metal bowls on a rusty table by an old wooden bench in front of the foundation of an old cabin. Everything seemed arranged as if it was for a painting, except for “Private Property” signs posted all over the place and a phone number for more info. There were a few empty but not abandoned cabins around as well, and a path through some woods that led between them, and up to the railroad.
I was also happy to find abundant and abandoned rhubarb patches at both ghost towns, and so have been making lots of stewed rhubarb over the fire.
I’m just starting day 3 as the artist-in-residence at Pukaskwa. It’s been a really amazing time, divided between hiking around giant lichen-encrusted boulders and forest, and meeting with people to talk about art and leading an workshop on making prints.
The workshop was yesterday, and actually the most enjoyable workshop I have ever led. Lots of different people came, and it was really interesting to see how artistic and different the prints they made came out. Parks Canada staff took a bunch of pics of it, so I will put those up soon. Here are pictures of two trails I have hiked on so far – Manito Miikana and Bimose Kinoomagewnan.
I am leaving for an artist residency at Pukaskwa National Park in 5 days, and am really looking forward to it!
I’ve also started working on the dumpstered-new-shirts give-away art project for Art in the Open … some pics of a couple of the different prints below. I hope a lot of people want free hot pink short-shorts this summer. 35 shirts and shorts down … about 275 to go.
Above is the lighthouse I collaged and painted for Summerside. It’s in its temporary home at Holland College, until Fall when it gets auctioned off. It’s a giant squid reading a book, with a collage of book pages below it. I am not wholly endorsing destroying just any book, though.
The garden is really starting to grow these days – lots of squash and parching corn are coming up, and everything else is getting bigger. As usual, lots of things aren’t really working as well, but whatever; there is a good reason to start with three or four times are much seed as you actually want to grow out. I am pretty excited about the things that are growing well, and can live without the tiny gourmet turnips that just didn’t seem to make it. The nettles continue to be reliable.
I am looking forward to my artist residency at Pukaskwa National Park, starting in less than two weeks, and then a visit from my brother David, and then just a little more time on PEI before I got back to northern Ontario for a residency including a canoe trip at Quetico Provincial Park. Then back to the island, and only a short period of time until Art in the Open. Art things are going pretty well, and I am happy to have shows in Charlottetown in August (Baba’s) and October (Vitrine Gallery), with a residency at Robert’s St. in Halifax in between.
The farmers’ market in Cardigan opened for the year on Saturday, and even though it was grey and rainy, it was really fun. Travis and I hung out under the awning with Story selling Townes stuff, and of course Byron and Carina’s veggies at SeaSpray. There are more farmers’ markets on PEI than anywhere else I have ever been, and I always enjoy them, but for some reason, the one in Cardigan last Saturday was particularly fun – it just seemed like a beginning of summer, despite the weather.